
Where Are the Women? Rock the Kasbah
From a mean ex to a hooker with a heart of gold, women exist in this world only for what they can do for — or to — the male protagonist.

From a mean ex to a hooker with a heart of gold, women exist in this world only for what they can do for — or to — the male protagonist.

Women appear only extremely briefly as supportive wives and mothers, or as romantic interests who must be rescued (by a man, natch) from another man’s abuse.

The only character with any sort of arc is a young woman. But she is half-dressed half the time and subject to sexualized torture.

Gets close to representing women well but falls down, and ends up a story about a man obsessed with the rape and murder of a pretty blonde teenaged girl.

There are many women, all with their own authority, among the large ensemble of interviewees: activists, art critics, musicians, doctors, and others.

The best way to represent women well onscreen is simply to make movies about women. Maybe occasionally about a woman who isn’t white. That’s it.

Women appear only briefly, as wives and mothers speaking about how their families are being destroyed, or as an object upon which a man can be lecherous.

With the female chipmunk trio the Chipettes sidelined, women here are represented primarily via the (human) girlfriend of the Chipmunks’ human pal Dave.

The vast majority of people who appear on camera in this documentary are men… and most of the few women who do appear do not speak to the camera.

There are so many women onscreen, including the vast majority of the university administrators, lawyers, activists, and other experts interviewed.