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Atlantan Miss Daisy Werthan (Jessica Tandy) is a ‘fine, rich, Jewish lady,’ says her black chauffeur, Hoke Coburn (Morgan Freeman). Driving Miss Daisy is the bittersweet drama about the unspoken friendship between this unlikely pair over a quarter of a century, from 1948 to 1973.
When Pu Yi ascended the throne in Peking in 1908, he was only 3 years old. From his short-lived reign to his arrest as a counterrevolutionary in Red China in 1950, he spent his life as little more than a pawn of those who wished to further their own agendas. Nevertheless, director Bernardo Bertolucci’s gorgeous and seductive The Last Emperor imbues this powerless and constantly thwarted figure with a resolute if melancholy grace.
Part II continues the sweeping family epic that ironically juxtaposes quintessential American values with the extremely realistic violence and criminal mentality of mobsters. The Godfather Part II, even more so than its predecessor, tells a story of immigrants in America that — minus the felonies and murders — many of us might recognize as tales our grandparents told.
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