movies by or about women opening US/Can Aug 09
Andrea Berloff writes and directs The Kitchen, starring Elisabeth Moss, Melissa McCarthy, and Tiffany Haddish; more… [This post is for Patreon patrons only for the first month.]
1970s
Armstrong documentary review: the man we put on the Moon
Meet the “nerdy engineer” who dreamed of a life in aviation… and landed a tin can on the Moon. A deeply moving portrait of the modest man who seems to have been destined for his historic voyage.
movies by or about women opening UK/Ire Jul 03–05
Sasha Luss stars in action thriller Anna; more… [This post is for Patreon patrons only for the first month.]
In Fabric movie review: retail shock therapy
A murderous dress and creepy shop clerks add up to nothing more than exhausting nonsense full of fetishizing of women and weirdness for weird’s sake alone. Consumerism is killing us, or something.
Rocketman movie review: what makes a rock star, and what unmakes him
Joyful and rowdy, self-deprecating and vulnerable, absolutely electrifying as it deconstructs the sex-drugs-and-rock’n’-roll story. Taron Egerton is chills-inducingly good. Sheer cinematic magic.
movies by or about women opening US/Can Apr 05
Taraji P. Henson costars in historical drama The Best of Enemies; more… [This post is for Patreon patrons only for the first month.]
If Beale Street Could Talk movie review: a velvet fist of love and strength
A beautiful story about ugliness, about dignity in the face of hatred, told via delicate yet steely performances that imbue it with a power at once tender and infuriating. Totally enrapturing.
On the Basis of Sex movie review: Notorious RBG’s origin story
Coasts on the awesomeness of Ruth Bader Ginsburg in a way unadventurous if solidly crowd-pleasing. But the depiction of her incredibly supportive marriage to a feminist man is intensely satisfying.
Bohemian Rhapsody movie review: dynamite with a laser beam
Rami Malek brings warmth, humor, and a down-to-earth humanity to the larger-than-life Freddie Mercury. But it is the power of Queen’s music — the rousing good cheer, its sheer rock ’n’ roll joy — that fills up this pure brash entertainment.
Bad Times at the El Royale movie review: bad times indeed
A self-indulgent, faux-woke mashup of noir crime, black comedy, and Tarantino-esque ultraviolence. Some great performances, including a spectacular feature debut from Cynthia Erivo; shame they’re so wasted.
