watch it: 1980s Bartles & Jaymes commercial
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Tons of spoilers! Don’t read unless you’ve seen the episode!
Here’s the thing about Joel and Ethan Coen: they can make anything, absolutely anything, intensely profound and deeply weird — and weirdly deep — and cruelly magnificent all at the same time.

The ending can make or break a film. The Lives of Others, Oscar winner for Best Foreign Language Film, has one of the greatest final lines of dialogue that I’ve ever heard in a movie.

I swear, homeless organizations could make a killing just standing around outside the multiplex when showings of Happyness let out and asking for donations to help people like Chris Gardner…
Funny? Sure, *Lord of War* is funny. Funny like how you’re not sure whether that headline is from Reuters or The Onion. Funny like how Jon Stewart has to insist that what he’s about to tell you really happened and is not the invention of his team of political wagsters. Satirical? Sure, *Lord of War* is satirical. Satirical like the front page of *The New York Times* is satirical. Satirical like how, at the end of Andrew Niccol’s black comedy about a relatively small-time freelance arms dealer, he tells us that the biggest arms dealers in the world are the nations that are the five permanent members of the UN Security Council.
It’s easy to forget today how close global nuclear annihilation genuinely seemed in the 1980s.

Donnie Darko in, in fact, what Ferris Bueller’s Day Off might have been if David Lynch had ever gotten his hands on it, a daring, disturbing, visionary debut from 26-year-old writer/director Richard Kelly.

The true story of a modern-day female Robin Hood of India. A powerful and in spots devastating journey through one woman’s conquest of a culture that views women as little more than sexual commodities.

Opens with Hitchcockian strings warp-warping as sticky red blood drips down a white screen… or is it blood? This touch of black whimsy isn’t the only one to be found here…