question of the day: Is AMC exploiting 9/11 with its Mad Men imagery?
Does your take on whether or not Mad Men is a thematic riff on our cultural reaction to 9/11 impact whether you see the use of such imagery as reasonable?
Does your take on whether or not Mad Men is a thematic riff on our cultural reaction to 9/11 impact whether you see the use of such imagery as reasonable?
I appreciate that many people have many problems with this movie, but I confess that I don’t quite understand them…
Looking at this story again, in the light of distance and in seeing reflections of what Doctor Who has become since 2005, I realize there was so much more that impacted me, and that it’s so much richer than I realized at the time.
In a way I’m glad I’m not in New York this week: the 9/11 remembrances and retrospectives have been painful enough on this side of the Atlantic, and I can only imagine that the looking-back is even more intense in the city where some of the events of that day happened.
Garbus’s portrait of Bobby Fischer as a lonely child and a monomanical young chess player becomes a portrait of his times as well…
All at Google News right now…
First-time feature filmmakers director Edward Boase and screenwriter James Walker want you know right off the bat that Blooded is not a “mockumentary.” But it is a fictional story told in an expansive documentary format — complete with “reenactments” of “real” events — that lends a powerful urgency and immediacy and relevance to an invented story in a way that a more narrative structure would have missed.
Plus: Could Wikileaks have stopped 9/11?; PBS isn’t as progressive as we thought; Hugh Jackman on Wolverine 2; more…

How did anyone dare to do this? How did anyone think they would get away with it? Most audacious of all, perhaps: Did anyone have any notion that such a recklessly bold premise for a film would possibly succeed this well?
Plus: the deaths of Stephen J. Cannell, Sally Menke, Gloria Stuart, and Tony Curtis; Armond White is at it again (and so are his adversaries); Chris Noth thinks critics killed Sex and the City; and on and on…