
The Fall Guy movie review: stunt dribble
This mess isn’t as clever as it thinks it is, and wastes the small charms of the delicious chemistry between Ryan Gosling and Emily Blunt. Feels like they shot a dashed-off first draft of the script.

This mess isn’t as clever as it thinks it is, and wastes the small charms of the delicious chemistry between Ryan Gosling and Emily Blunt. Feels like they shot a dashed-off first draft of the script.

The cast is, on paper, terrific, but there’s nothing engaging in their bloody savagery. A misfire of a supposed action comedy, this mind-numbing mess is by turns grating, tedious, and infuriating.

Not without problems, but continues the Avengers tradition of big, bold blockbusters that don’t need to toss away thoughtfulness to remain pure popcorn fun.

Elegantly updates the King of All Monsters for the 21st century… but Hollywood’s tedious myopia means the movie as a whole isn’t quite so beautiful.

Like a Comic-Con cosplay event gone horribly wrong, this poor excuse for an action comedy has nothing to say beyond a few expletives and nothing to offer but a shocking lack of appreciation for its own awful irony.
There is no pretense that we’re getting a realistic depiction of late-19th-century Russia. Director Joe Wright isn’t merely crafting a metaphor about the social structures under which we all live: he’s underscoring the artificiality of cinema itself.