
The Patrol review: hurry up and wait
Bracingly free of the usual macho posturing that characterizes movies about the military, and a compassionate and humane portrait of modern soldiering.

Bracingly free of the usual macho posturing that characterizes movies about the military, and a compassionate and humane portrait of modern soldiering.

Acknowledges the powerful fraternity of soldiers without being jingoistic, and depicts the intensity and adrenaline of a battlefield without being pornographic.
And by “we” I mean the coalition allies, not just the United States. And if we’re getting involved in internal Libyan affairs because of, ostensibly, humanitarian reasons, aren’t we obligated to do the same in other hotspots around the world, such as Ivory Coast?
Battle: Los Angeles may be about invasion, but it’s not about aliens: it’s about us. This isn’t science fiction: It’s a bleak fantasy about karma being a bitch. It’s about collective cultural guilt. Looked at from that angle, it’s fascinating.
Yes, this is a movie about our soldiers today in Iraq and Afghanistan. Deal with it.
I was dreading *An American Carol* so much that the DVD just sat there on my desk, staring me in the face for weeks. Taunting me, almost — daring me to finally pop it into the player. Which, as there came a moment when I could no longer put it off, I did.
It’s one of those “fundamental interconnectedness of all things” things. Or a good-news, bad-news joke. Or an admonition to be careful what you wish for.