
Morgan movie review: AI why?
Eschewing the compelling SF questions it raises, Morgan resorts to violence and would-be cleverness, and makes concrete what it should have left ambiguous.

Eschewing the compelling SF questions it raises, Morgan resorts to violence and would-be cleverness, and makes concrete what it should have left ambiguous.

If you could slap a dudebro fedora on Blade Runner, you’d get this ridiculous attempt at a mind-blowing sci-fi drama. Pretentious yet accidental silly.

Simultaneously the dullest and the most insulting version of itself it could possibly be. If only it had managed to be campy, that’d be something…
If you feel a movie can be great even if it’s boring, which films fit into this category?
I promised to share a few of the juiciest tidbits from the Prometheus talent Q&A I attended last month. And here they are.
Remember Drive Angry? (I hope you don’t.) This is not that movie. This is Drive Calm. This is Drive Cool.
“The light that burns twice as bright burns for half as long.”
Do new remakes, reboots, sequels, and prequels indicate a suddenly love of SF in Hollywood?
I started off thinking, Oh, hey, it’s like an episode of classic Doctor Who: Go to a place where something dodgy is happening, do a thing, rescue some people, be responsible for the deaths of others, go home. But this turns out to really be about something else…
Hey! It’s a supernatural horror flick about the clash between the power of the institution of The Church and the power of personal faith and belief. Oh, and also about kicking vampire ass.