The Third Man (review)
What is *The Third Man* is no great mystery: it’s one of the greatest expressions of the noir attitude ever committed to film.
Carol Reed
Oliver! (review)
Charles Dickens’s mostly gloomy Oliver Twist set to music is no sillier than the French tragedy Les Miserables recast as an English-language opera, and it works just as well — that is to say, very well indeed.
