Hanna (review)

Joe Wright makes sure his story looks great — and sounds great, with its aurally spectacular Chemical Brothers score — but it’s an empty experience, a Frankenstein story with no heft, indeed with little apparent awareness of the classic tale it is evolved from.

calling bullshit on: Owen Gleiberman at EW’s The Movie Critics…

…for deciding that two female action stars constitutes a “new normal”: It’s amusing to realize, in hindsight, that Luc Besson’s funky-violent French art-house thriller La Femme Nikita, in 1990, and its rote American remake, Point of No Return, in 1993, were still treating lady-killer heroines with kid gloves. At that point, seeing an actress like … more…

Robin Hood (review)

How can it be that my geeky little heart has been ripped from my chest and my geeky little soul crushed underfoot like so much spilled popcorn on the floor of the multiplex? That wasn’t supposed to happen. Russell Crowe and Ridley Scott’s *Robin Hood* was supposed to be *awesome.*

trailer break: ‘Robin Hood’

Take a break from work: watch a trailer… Wow. This looks truly awesome, and I’m really, really psyched for it now. I was already, but oh man! Russell Crowe looks perfectly the part (I wasn’t sure if he’d work, but he does) and Cate Blanchett as a kick-ass, no-bullshit Marian? Excellent. Oh, and the history! … more…

Ponyo (review)

Oh dear. What’s happened to Hayao Miyazaki, the master of beautiful, poignant, deeply weird and profoundly philosophical Japanese animation? Has he lost his touch? Is the magic gone?

The Curious Case of Benjamin Button (review)

So it’s just like this crazy life thing, you know? You’re born, you do some stuff, maybe if you’re lucky you fall in love with the same person who falls in love with you — at the same time that person falls in love with you — and then you die.