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Ordinary People, Robert Redford’s directorial debut, is a talky drama about people who can’t talk to one another. Conrad, a high-school student recovering from a suicide attempt after his brother’s boating accident, is all but ignored by his parents. Too-cheerful Calvin pretends that things are just hunky-dory, and when Conrad tries to talk to Beth, she changes the subject or pushes him away.
The Sting is pretty universally acknowledged as one of the best films ever made. From the flawless performances all round to the clever script, this is movie magic that approaches a kind of wizardry. Not a note is out of place — every line, every scene builds on what’s come before until it ends so breathlessly and abruptly that it leaves you astounded at its audacity. Lonnegan’s not the only one who gets conned; writer David S. Ward and director George Roy Hill sting the viewer, too. This is just about as perfect as movies come.
Get past the set pieces that date the movie and make it twice as long as it might be, and The Great Ziegfeld — a biopic of theatrical impresario Florenz Ziegfeld Jr. — is a moving story of how the weaknesses and obsessions that ironically made one man a powerful entertainment mogul inevitably brought about his downfall.
There are reasons to hate this movie.
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