my week at the movies: ‘The Young Victoria,’ ‘The Box,’ ‘The Men Who Stare at Goats,’ ‘The Private Lives of Pippa Lee,’ ‘A Christmas Carol’

Here it’s already Wednesday, and I’m just getting around to this now. But that’s okay, actually, because my “week” at the movies pretty much begins today. I did see The Young Victoria (already available on DVD in the U.K.; opens in the U.S. on December 18) yesterday, and I quite liked it. But today and … more…

Beavis & Butt-Head Do Christmas (review)

The Meanspirit of the Season When the sticky-sweet sentiments of the season threaten to send into a diabetic coma and you’re ready to take hostages if you hear that Muzak rendition of “Jingle Bell Rock” over the mall loudspeaker system one more goddamn time, then you are ready for the twisted and profane Beavis & … more…

Scrooged (review)

In fact, Dickens might have written something like Scrooged, an 80s, greed-isn’t-good update of the Dickens classic. The wittiest satire of television since Network, Scrooged gives us Frank Cross (Bill Murray: cradle, rushmore), the ‘youngest president in the history of television,’ the maniacal — and megalomanaical — head of the IBC TV network.

A Christmas Carol (Patrick Stewart) and A Christmas Carol (aka Scrooge) (Alistair Sim) (review)

I’ve had the pleasure of seeing Patrick Stewart do his one-man reading/performance of A Christmas Carol several times. Nothing beats the impact of live theater, and so for years now Stewart has personified Ebenezer Scrooge for me. I was delighted to learn that Stewart would be playing Scrooge in a full-blown production of Charles Dickens’s classic novel — playing all this month on the cable network TNT — and fully expected that it would become a favorite Christmas movie of mine. And it has.

It’s a Wonderful Life (review)

Remember that ‘alternate ending’ of It’s a Wonderful Life that Saturday Night Live came up with years ago? George never finds out what happened to that $8,000 that nearly ruined him, and the film ends on a happy note when the townspeople pitch in to raise the money. SNL’s ending was a little darker: Someone discovers that Potter has George’s money, and so we’re treated to the spectacle of Dana Carvey as Jimmy Stewart leading a lynch mob: ‘Well, let’s get ‘im!’ Carvey’s George cries. That’s more the ending I’d like to see.