film criticism by maryann johanson | since 1997
A same-old tale of apocalypse knows we’ve seen this all before, and so centers human drama over disaster porn. It has nothing new to say, but at least it says it well, with notes of horrific grace.
Superman, but he’s evil. That’s the whole movie. This is a depiction of violent entitled sociopathy that may think it’s critiquing toxic masculinity yet is indistinguishable from a celebration of it.
Kelly Macdonald is exquisite, bringing a lovely freshness and authentic life to a familiar sort of character. Even a script that is often improbable and strained cannot detract from her journey, hard as it tries to.
Michael Bay propagandizes for a right-wing idea of “true America,” seething with disdain for anyone who isn’t a former elite soldier turned mercenary.
