
Swallow movie review: leaves a sour taste
Half a century ago, this would have been radical. Today, it’s banal. The slick postwar aesthetic is emblematic of a male filmmaker’s understanding of women that exists only through dated stereotypes.
Half a century ago, this would have been radical. Today, it’s banal. The slick postwar aesthetic is emblematic of a male filmmaker’s understanding of women that exists only through dated stereotypes.
Hangover lite, with even more tepid notions of what constitutes debauchery, plus a true dedication to strained contrivance.