Devil’s Knot movie review: well-worn tracks
Atom Egoyan is all over the real-life case of American injustice surrounding the West Memphis Three. But sadly, I’m not sure why.
Elias Koteas
Let Me In (review)
It is a strange and curious thing that director Matt Reeves chose to follow up his uniquely distinctive Cloverfield with a film that is, if not precisely a shot for shot remake of the Swedish-language Let the Right One In, then at least a tonal copy.
The Exorcist, Lost Souls, and Possessed movies review: sympathy for the devil
Do screenwriters bother with characterization or motive for Old Scratch? Rarely — the Prince of Darkness is supposed to just coast on his rep as the Ultimate Bad Dude, and yet those selfsame screenwriters must, by storytelling necessity, declaw him, prevent him from taking full advantage of the hellish forces at his command.
