Devil’s Knot movie review: well-worn tracks
Atom Egoyan is all over the real-life case of American injustice surrounding the West Memphis Three. But sadly, I’m not sure why.
Elias Koteas
Let Me In (review)
It is a strange and curious thing that director Matt Reeves chose to follow up his uniquely distinctive Cloverfield with a film that is, if not precisely a shot for shot remake of the Swedish-language Let the Right One In, then at least a tonal copy.
