
Red One movie review: a very copaganda Christmas
Unfunny action comedy can’t even pull off sloppy Yuletide kitsch. The anti-chemistry among its likable stars is “bested” only by the ugly CGI. Have some light festive violence — you know, for kids!

Unfunny action comedy can’t even pull off sloppy Yuletide kitsch. The anti-chemistry among its likable stars is “bested” only by the ugly CGI. Have some light festive violence — you know, for kids!

A winning (if overearnest) depiction of manly friendship, with some pretty thrilling (if only technically so) racing stuff. But it doesn’t see its potential to be actually culturally significant.

A stew of “hilarious” toxic masculinity and nonstop violence as the solution to all problems. Sexist, stupid nonsense, tediously familiar and wholly predictable. Even the cartoonish action falls flat.

More plot holes than plot, this overly convoluted, deeply stupid Fast and Furious wannabe is crammed with clichés and memorable only when it’s laughable.

Derivative, rote, devoid of heart and hope. Guy Ritchie has found no reason to retell Arthur’s story, or to render a mythic hero as a self-serving thug.

Thinks it’s edgy and transgressive, the punk little brother of all those other stodgy comic-book movies, but it isn’t. It’s just slightly more candy-colored.

Intense action; smart, funny nods to its roots while moving in a new direction; and explicit confrontation of a problem always at the heart of Star Trek.

There isn’t an authentic human motivation or emotion to be found here. The bar has been raised too high on comic-book movies for us to accept junk like this.

Thinks it’s poetical and epic, and the more dramatic it thinks it’s being, the more hilariously histrionic it all is.

Is it doing something in the spirit of their work? Is it not deifying them by pretending they were more or other than they were?