Nomadland movie review: ain’t that America
Come on down for a gen-u-ine American dystopia at the crossroads of end-of-empire and late-stage capitalism. Chloé Zhao’s outsider’s eye is hugely sympathetic but unhindered by knee-jerk patriotism.
God’s Own Country
The Rider movie review: when the work that makes a man is taken away
An extraordinary semidocumentary drama, beautiful and beautifully accomplished, about dignity, work, and masculinity. Heartbreaking and yet utterly unsentimental, this is one of the best and most important films of the year.
BAFTA 2018 winners announced
Three Billboards Outside Ebbing, Missouri wins big…
God’s Own Country movie review: the cultivation of love
A wonderful portrait of life in a harsh, lonely place, and of romance as a prompt for personal growth and changing traditions. Raises the bar for British indies.
