Modern noir god Keanu Reeves again stalks a fantasy(ish) world of exhausting, inventive violence. But this time, the curtain is drawn back on the sham of seeming orderliness in its world (and ours).
An exquisite miniature puzzle-box pop-up-book of a movie. All is color and light and exhilaration here, a fantastical lark that is sheer mischievous joy.
Can it be a coincidence that both of the big new flicks this Memorial Day weekend — the kickoff for Hollywood’s first summer movie season of the twenty-first century — are basically Hong Kong action movies? The people who think about these kinds of things — current-events journalists, mainly — have already predicted that if the 1900s were the American century, the 2000s may well be the Asian century… but they were speaking economically and politically. I guess it’s probably inevitable that Asia would start to hold some cultural sway in the West, too.