
Winchester movie review: she hosts dead people
The story of a fascinating woman retold in the most reductive, least resonant way possible, while actually sidelining her. Even cast as a simple haunted-house tale, it’s not even a little bit scary.

The story of a fascinating woman retold in the most reductive, least resonant way possible, while actually sidelining her. Even cast as a simple haunted-house tale, it’s not even a little bit scary.

Gina Carano kicks ass, Helen Mirren placates ghosts, and Daniela Vega fights for basic human dignity.

Vicky Krieps, Lesley Manville, and Helen Mirren are dealing with men’s crap in the corporeal and the spiritual worlds.

Appalling and sadistic. How can anyone who is not a sociopath look at this horrible attempt at feel-good fantasy and say, “This is fine, this is healthy”?
Moonlight leads, with seven awards…

As entertaining on an escapist level as it is irrefutably engaging on a level that is essential for citizens who are players in our political environment.
Spotlight takes four awards, including Best Film…

Helen Mirren makes a very fine villain indeed. But all the other woman in the story are nothing more than supportive adjuncts to the male protagonist.

Marvelously balances the silly and the solemn. There’s almost a whiff of the Coen-esque in its slick sharpness, in its whistling past the graveyard.

A deeply moving and very satisfying piece of entertainment that knits up seemingly disparate elements in a tapestry of family pain and pride.