trailer break: ‘Amelia’

Take a break from work: watch a trailer… I mentioned the fact that this trailer had debuted in my “The Week in Women” column on Friday, because it’s gonna be (I hope, pretty please) an important film about a woman who hasn’t gotten anywhere near the treatment in movies that she deserves, and probably would … more…

Million Dollar Baby (review)

Oh, but this is a sucker punch of a movie, harsh and sere and so thoroughly unsentimental that it seems to have active contempt for lesser movies that pander to the audience’s desire to walk out of the theater feeling good and happy and that all is right in the world. This is like winning the lottery and getting hit by a train on your way to cash in your ticket. This is not for anyone who feels the need to escape real life at the multiplex. This *is* real life, as real as film gets. You are warned.

Near Dark, Buffy the Vampire Slayer, Once Bitten, Blacula, Love at First Bite, and Jesus Christ: Vampire Hunter (review)

Of course, most respected anthropologists and biologists recognize that the New World Vampire, or *vampirus americanus*, differs greatly from the European species, or *vampirus continentalus*, but few films have recognized that the wide-open spaces of the U.S. produce a vastly altered creature than Europe’s dense urban spaces or intimate, if remote, medieval villages. But years before John Carpenter and the team of Quentin Tarantino and Robert Rodriguez documented the vampires that dwell in the lonely stretches of the Americas, the criminally underappreciated ethnographer Kathryn Bigelow did it — spookily, grimly, hilariously, gloriously — with 1987’s *Near Dark,* in which a coven of nasty bloodsuckers roam the deserted American Southwest.