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The king of all monsters gets a period-piece reboot, and it’s the closest the series has gotten since to the sincere, unironic horrors of the 1954 original. No comfy escape from terrible reality here.
Rosamund Pike is perfection in this intellectual romance, an unsentimental portrait of a woman striving to be appreciated for her mind at a time even more anti-woman than today. Feminist and flinty.
It looks lovely and Ian McKellen is amazing, of course, but it’s not very Holmesian. I suspect Holmes himself would snort in derision at its sentimentality.
Singapore’s official submission to the Best Foreign Language Film category of the upcoming Oscars is an animated Japanese-language ode to legendary gekiga artist Yoshiro Tatsumi…
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