film criticism by maryann johanson | celebrating 25 years: 1997–2022
Not a knockoff of that other quiet horror flick, though this familiar monster movie works hard to convince otherwise. But the terrific cast makes it worth a look, at least for Netflix subscribers.
Here’s an at-a-glance look at my picks for Sunday night’s Academy Awards — projected winners are Xed. Keep in mind: this isn’t a list of whom I think should win Oscars but whom I think will win…
A new film from the director of The Triplets of Belleville has gotta be a good thing…
The AWFJ is one of the critics’ groups I belong to; my input helped determine these nominees, and I will vote in the final balloting to narrow it down to the winners. I still have to watch a few of these nominees…
The OFCS is one of the critics’ groups I belong to; my input helped determine these nominees, and I will vote in the final balloting to narrow it down to the winners. I still have to watch a few of these nominees…
Reader Feh in comments following my review of Killers asks: MaryAnn, do you have any insight into the ripoff pattern? Why do Hollywood movies tend to come out in pairs? Killers/Knight & Day, Abyss/Leviathan, Deep Impact/Armageddon. Feh then links to a story titled “11 Identical Movies Released at the Same Time” — which dates back … more…
‘The Prestige’ is a fan-fuckin’-tastic popcorn flick that’s as smart as it is shifty, like some lost Alan Moore graphic novel come to life, like something Jules Verne would have written if he were Neil Gaiman.
