
The Limehouse Golem movie review: riffing on the Ripper
Lush sensationalism and Dickensian social justice collide in 1880s London, and if there isn’t quite enough of either, it’s still a slice of satisfying gothic horror.

Lush sensationalism and Dickensian social justice collide in 1880s London, and if there isn’t quite enough of either, it’s still a slice of satisfying gothic horror.
There is too much awesome in this fantastic (and fantastical) premise for a proper geek girl such as myself to be properly rational about her anticipation. I know I expected too much. But, you know, the movie, it sort of promised a lot.
Certainly it’s the funniest Dracula book that isn’t meant to be funny. It’s also ridiculously entertaining.
Have you ever heard of H.H. Holmes? He’s basically America’s Jack the Ripper…
The metallic tang of blood is all over the elegant facade of this mysteriously disappointing, dispassionately underpowered story of a British aristocrat who dances with the devil, in the form of a werewolf curse, in the pale moonlight.
We know how it is: You’d like to go to the movies this weekend, but… prezzies! toys! candy canes! snowball fights! big holiday dinner! But you can have a multiplex-like experience at home with a collection of the right DVDs. And when someone asks you on Monday, “Hey, did you see Sherlock Holmes this weekend?” … more…
We all know how it is. You’d like to get out to see a new movie this weekend, but you neglected to study the conspiracy theories about the Vatican and secret medieval European societies and so you don’t know how to buy a ticket to that Tom Hanks movie. But you can have something close … more…