
Out of Blue movie review: murder most muted
A limp noodle of a cinematic noir that drains Patricia Clarkson of her usual eccentric charisma. And where it aims for intriguingly oblique pseudoscientific philosophizing, it ends up merely obtuse.
film criticism by maryann johanson | since 1997
A limp noodle of a cinematic noir that drains Patricia Clarkson of her usual eccentric charisma. And where it aims for intriguingly oblique pseudoscientific philosophizing, it ends up merely obtuse.
With an irrepressible heroine full of life and joy and humor, this is an ancient Japanese folktale fresh with immediacy and relevance.
It doesn’t quite work as a package, but Wahlberg is a real pleasure to watch as he crafts a portrait of a tormented anti-hero with an apparent death wish.
Excellent performances by Clive Owen and Billy Crudup can’t disguise the fact that there’s absolutely nothing here we haven’t seen too many times before.
Great cast, but maybe it’s the same-old sameness that’s keep this from getting a major release? Could that be a reason to hope?
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