
Where Are the Women? X-Men: Days of Future Past
Jennifer Lawrence’s complex antagonist and lots of female mutants make for a respectable showing, particularly for the genre. [This post is not behind the paywall.]

Jennifer Lawrence’s complex antagonist and lots of female mutants make for a respectable showing, particularly for the genre. [This post is not behind the paywall.]

One of the best SF series ever deepens its critique of the power of propaganda in ways complicated, intriguingly contradictory, and a little bit horrifying.

What starts out as solid romantic melodrama — almost Golden Age of Hollywood stuff — gets so crazy so fast in so many ways.

LFF is a veritable orgy of cinema, and I love it. It’s exhausting, but I love it.

With its time-twisting plot, sci-fi soapiness, powerful humanism, and to-die-for cast, this is the summer blockbuster done with elegance and heart.

We see a lot of insincerity at events like the Oscars, but everyone in this photo looks like they’re genuinely having a good time.

Winners are indicated. I got 16/24. Pretty good, if I may say so myself.

Here’s an idea: tell a story about a female superhero who has to fight not only bad guys but cultural assumptions. Cast Jennifer Lawrence.

Bursting with insanely engaging characters who are impossibly real and impossibly ridiculous whose stories you don’t ever want to end.

A devastating indictment of pop culture as propaganda — about its power and the limits of its powers — and an upending of the typical teen-girl romance movie.