
The Limehouse Golem movie review: riffing on the Ripper
Lush sensationalism and Dickensian social justice collide in 1880s London, and if there isn’t quite enough of either, it’s still a slice of satisfying gothic horror.

Lush sensationalism and Dickensian social justice collide in 1880s London, and if there isn’t quite enough of either, it’s still a slice of satisfying gothic horror.
Surely this is the greatest satire of the American presidency ever made for film. It’s kinda like *Being There,* but far more terrifying: instead of a wise, gentle idiot becoming president, here it’s an incurious, perpetually adolescent idiot who ascends to the highest office in the land. Surely this would be a horror story if it were true…
And they don’t come much geekier or more touchstony than 1975’s Monty Python and the Holy Grail, not only damn near one of the funniest movies ever made but certainly one of the most quotable… at least for us endlessly self-referential types for whom all of life is but a never ceasing trail of opportunities to show off the ridiculous capability we have for retaining movie, computer, and science fiction trivia.