Motherhood (review)
It’s too bad that writer-director Katherine Dieckmann couldn’t imbue her portrait of the titular state with as much easy, authentic panache as she does her setting.
It’s too bad that writer-director Katherine Dieckmann couldn’t imbue her portrait of the titular state with as much easy, authentic panache as she does her setting.
I’m stoked for my very early screening this week of The Imaginarium of Doctor Parnassus (opens in the U.K. on October 16, and in the U.S. on December 25), Terry Gilliam’s new movie and Heath Ledger’s last. I’m avoiding reading the reviews from Cannes, but I am intrigued to see how Gilliam manages to work … more…