cinematic roots of: ‘For Colored Girls’
In For Colored Girls, Tyler Perry makes his first foray into serious drama — instead of asinine comedy — about the lives of contemporary black Americans. This flick sprang from (among other films)…
Kimberly Elise
For Colored Girls (review)
Indie filmmaker Tyler Perry has spun an unlikely career out of catering to underserved black audiences by giving them excruciatingly unwatchable minstrel-show movies. Now, finally, Perry has made a film that doesn’t pander, that has something meaningful to say — something actually worth hearing…
Diary of a Mad Black Woman (review)
It’s kindness, at first, that leads you to suspect that someone is pulling our collective leg with *Diary of a Mad Black Woman,* because surely anything this jaw-droppingly awful must be a joke. Surely this is not being proffered with any genuine intention of it being seen as, well, an actual *movie,* with a plot and characters and scenes that connect in some reasonably logical sense. This *must* be a *MAD TV* sketch that went horribly wrong and escaped into the wild where it turned feral. Right?
