
Mojave movie rating: red light
A spoiled melancholy Hollywood brat and a menacing drifter engage in a deadly dick-measuring contest that you will hope neither survives.

A spoiled melancholy Hollywood brat and a menacing drifter engage in a deadly dick-measuring contest that you will hope neither survives.

Wonderfully, aggressively feminist, a rare crossgenerational portrait of two women getting to know each other amidst a crisis. Smart and acerbically funny.

Woefully bad feint at a dramedy in which everyone agrees the “hero” is a terrible excuse for a man… and he gets the message that he is awesome anyway.

Not without its problems, but mostly a smart, engaging, bigotry-busting escapade with a hugely appealing young cast and an unflaggingly cheerful optimism.

Full of the Coen Brothers’ usual exuberant joie de cinema, and a helluva lot of fun, but too scattershot to ever settle on saying the things it has to say.

Behold Bill Murray as the white savior barreling into a foreign land and teaching the ignorant natives how to be better people. Obnoxious and tone deaf.

The 2009 Oscar-winning Best Foreign Language Film has been given a listless Hollywood makeover, one that wastes Chiwetel Ejiofor’s effortless sincerity.

There may not be much surprising here, but this is a smartly sensitive depiction of abuse and redemption that never descends into caricature.

The best of the bunch in this anthology of vaguely interconnected shorts are the outrageous and uproarious genre pastiches “Friday the 31st” and “Bad Seed.”

A smart, wistful exploration of art, ambition, and celebrity, with appealingly melancholic performances by Robert Pattinson and Dane DeHaan.