Tracks review: hopefully lost
Romantic in the grandest sense, a visceral and hypnotic experience of idealistic aspirations set against the desolate beauty and danger of the Outback.
Mia Wasikowska
The Double review: now you see him… again
A painfully funny odyssey of personal ineffectualness that is bitterly wonderful in how it revels in the decrepit horror of the everyday world.
cannot contain my excitement for the London Film Festival
I’m hyperventilating from the array of overwhelming movie awesomeness before me.
question of the day: How many things can you find wrong with the cover of Vanity Fair’s Hollywood issue?
Too white, too thin, too interchangeable: the traditional cover featuring young talent on the rise always comes under massive scrutiny, and the ritual is now in full swing…
AWFJ announces 2011 awards
So happy that The Artist is Best Film for us…
question of the day: What was the most sexist movie or movie moment in 2011?
Yesterday’s QOTD was about a feminist net positive: the most kickass female action character of 2011. Today, we go the other way…
Restless (review)
Crams the “quirky” back into the please-god-kill-me-and-save-me-from-yet-another-ridiculous-teen-romance.
Jane Eyre (1943) (retro trailer)
The bit of Bronte fever happening in the U.K. at the moment really isn’t anything new…
The Kids Are All Right (review)
Funny and smart and poignant and real and universal. It’s one of the best movies about family I’ve ever seen…
Alice in Wonderland (review)
We should thank Tim Burton for his *Alice in Wonderland,* for it does one thing extraordinarily well: It reminds us that James Cameron really did achieve something new and astonishing with *Avatar.*
