The Girl Who Played With Fire (Flickan som lekte med elden) and The Girl Who Kicked the Hornet’s Nest (Luftslottet som sprängdes) (review)

Tough, smart, and competent, yet also wounded and searching: that Lisbeth Salander remains the riveting centerpiece of the two films that follow on from The Girl with the Dragon Tattoo, but, alas, her continuing story has been winnowed down in a way that makes it — and her — feel smaller than before.