
curated cinema: two great movies by Rob Reiner
Watch 1984’s This Is Spinal Tap and 1987’s The Princess Bride and be reminded why Reiner was a gentle genius.

Watch 1984’s This Is Spinal Tap and 1987’s The Princess Bride and be reminded why Reiner was a gentle genius.

A portrait of a weak man, humorless and friendless, desperate to be liked, desperate to be seen as someone who matters. Sebastian Stan’s brilliantly disgusting Trump is horrifically riveting.

Stark and unsentimental, as stubborn and as challenging as its protagonist, and as monumental as his works. Adrien Brody’s performance is extraordinary, full of flinty anger and palpable melancholy.

Sure, the humor may be bitter, the horror may be audacious, and the overriding genre may be “anti-romance.” But this hugely original, grimly delightful howl of feminine rage is actually kinda sweet.

Immerse yourself in pure unalloyed joy with a sweet, deceptively simple carbon-silicon platonic romance. Even the poignant bittersweetness of this emotional roller coaster is affirming and uplifting.

Writer-director John Krasinski’s absolute desperation to whip up magical whimsy utterly fails. No matter how he tries to force enchantment into existence, this is more fever dream than flight of fancy.

2020’s The Assistant is on Kanopy in the US, BFI Player in the UK (and on lots of other services on both sides of the Atlantic, too).

A spineless dystopian action drama that defaults to a dangerously irresponsible both-sides-ism; its pretense of “objectivity” is unfair to the journalist protagonists the film thinks it’s championing.

A travesty of corporate cynicism. Its desperation to ride Spider-Man’s coattails is pathetic, but its convoluted, coincidence-laden nonsense is duller than you’d imagine: it’s not even so bad it’s fun.

2015’s Brooklyn is on Prime in the US, Lionsgate+ in the UK (and other services as well).