Tribeca ’07: The Gates (review)

You will hear, Let them eat gates. I can’t imagine a better choice for the closing-night film of the 2007 Tribeca Film Festival: The Gates — a stunning, beautiful, deeply moving documentary about the art project by installation artists Christo and Jeanne-Claude — will have its world premiere on Saturday night with a gala screening. … more…

16 Blocks (review)

Harrison Ford should take some lessons from Bruce Wills: this is how you do “action” after, um, a certain age…

King Kong (2005) (review)

Words like ‘meditation’ and ‘contemplation’ may seem inappropriate, at first glance, because the standard hack-movie-critic phrases like ‘roller-coaster ride’ followed by multiple exclamation points don’t even come close to doing justice to the heart-revving adrenaline rush Jackson has crafted. Two words: dino stampede. I probably should have put my head down between my knees and taken a series of long, deep breaths to recover from that early Skull Island setpiece, except it would have meant taking my eyes from the screen, and there was no way in hell I could have done that.

King Kong (1933/1976) (review)

What with the new DVD release of Merian C. Cooper and Ernest B. Schoedsack’s 1933 *King Kong* and the anticipation over Peter Jackson’s about-to-be-released homage, the eternal question is renewed: Just why the hell did the natives on Skull Island build an anti-Kong wall… and then put a Kong-size door in it?

Madagascar (review)

‘Ahhhh! Nature! It’s all over me! Get it off!’ screams Melman the urban giraffe once he reaches the titular island in *Madagascar,* and New Yorkers will scream, too, with laughter, because we recognize ourselves in it, and everyone else will scream with laughter because they’ll think it’s making fun of our neuroses. But we like our neuroses just fine, thank you, and appreciate the tribute to them that *Madagascar* is.