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There is little here we did not already know, but this is nevertheless a fascinating counterpoint to royal propaganda. Kudos to Harry’s audacity at being unwilling to perpetuate a noxious paradigm.
Clichéd, obvious, and tired. We’ve seen this story so many times before, but rarely with such a lack of appreciation for just how unheroic its “hero” is.
Now with winners indicated.
Rene Russo’s smart, aggressive TV news director is fantastically complex, though she is in several ways entirely at the mercy of the male protagonist. [This post is not behind the paywall.]
It’s true that Nightcrawler is tough on the soul. Poor kitty! (Read my review.)
Noirish 1950s cynicism meets nasty 1970s Corman-esque exploitation in a thriller that is uncomfortable, unpleasant, unforgiving, and pretty darn brilliant.
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