The Cut movie review: head not in the game
A real aspect of boxing — dangerously fast weight loss — sports films have ignored becomes body horror we have not seen before. The genre’s motivational clichés get twisted, nastily and poignantly.
Orlando Bloom
Pirates of the Caribbean: Salazar’s Revenge (aka Dead Men Tell No Tales) movie review: yo ho no
The franchise finally overstays its welcome with this cacophony of CGI spectacle, a contrived and confusing plot, and a newly cruel and stupid Jack Sparrow.
Unlocked movie review: the spy who broke the female mold
There’s stuff in this spy thriller that’s fresh, and lots that’s familiar, but Noomi Rapace using her brains and brawn to fight bad guys is a genuine thrill.
The Hobbit: The Desolation of Smaug review: are we there yet?
Smaug is a magnificent cinematic creation… but there’s no good reason it takes so damn long to get to him.
The Good Doctor (trailer)
Orlando Bloom as a creepy obsessive stalkerish doctor. The bad haircut shoulda been a giveaway.
question of the day: Leonardo da Vinci, action hero: is the prospect terrifying or awesome?
Mathematician, architect, sculptor, writer, scientist, inventor, action hero: Leonardo is James Bond and Q all in one no doubt devastatingly handsome package.
The Three Musketeers (review)
It is leaden where it should be light. It is graceless and charmless. It reels from the painful banter. It is the epitome of empty soulless corporate filmmaking.
The Three Musketeers (trailer)
In 3D. Just like Alexandre Dumas intended.
Pirates of the Caribbean: On Stranger Tides (review)
I’ve listened to my fellow critics snarking on the film’s many many faults and I’ve laughed, but only at myself, because they’re not wrong and yet still it doesn’t change the fact that I really had a lot of fun with this movie.
Rodrigo Garcia on making movies about women (interview)
Rodrigo Garcia’s latest film, Mother and Child, opening tomorrow in the U.S. and Canada, is that rarest of rarities these days: a serious film about motherhood that does not resort to clichés and stereotypes but explores what is for many women the central experience of their lives without either denigrating it or dismissing it. The … more…
