On the Road (review)

If you didn’t know that Jack Kerouac’s novel was a seminal influence on postwar America, you would never, ever guess it from this lifeless, soulless, pointless adaptation.

Hereafter (review)

I sincerely cannot help but worry, with no snarkiness intended whatsoever, whether Clint Eastwood has gone senile. He is 80, after all. I hope this not the case, of course, and I certainly don’t wish it on the guy, but I can’t imagine what else explains this utterly baffling film.

Howl (review)

James Franco’s elucidation of Allen Ginsberg is soaring in its warmth and sincerity. The words are (mostly) the writer’s, but the vitality and the passion are all Franco’s: he makes the poet breathe for us today in a way that feels entirely modern and relevant.