The Diary of a Nobody stage review (White Bear Theatre, Kennington)
Wonderfully weird madcap nonsense: imagine Monty Python staging a Victorian sitcom.
Shelley Lang
The Boy Who Cried review (The Hope Theatre, Islington)
This fascinating new plays works as a bitter commentary on the bureaucraticization of torture, and the difficulties of dealing with mental illness.
Cleopatra review (The Hope Theatre, Islington)
Snappy, snarky, and brisk, this is a drawing-room update on the classic story of the Egyptian queen, pulled off with effortless screwball panache.
