End of Watch (review)
David Ayer has pulled off an all-new LAPD cop action drama with a vibrancy so electric that the screen seems to sing from the film’s opening moments, and keeps ringing long after the film ends.
David Ayer has pulled off an all-new LAPD cop action drama with a vibrancy so electric that the screen seems to sing from the film’s opening moments, and keeps ringing long after the film ends.
I am very much looking forward to this, and fully expect it to be the same sort of brutal, depressing shit about rampant corruption and general awfulness that David Ayer always brings.
*Salt* works. As in breathless-nonstop–action-intensity works. Oh, sure, it’s nutty-as-a-fruitcake insane at the same time, but being this hugely entertaining goes a long way toward making you not want to laugh at it.
Take a break from work: watch a trailer… Now, am I being too much of a conspiracy theorist to wonder if the whole Russian spy ring news story that broke recently and today was suddenly wrapped up in a remarkably civilized and surprisingly secret-prison-free manner could possibly have been planted by Sony Pictures to convince … more…
(It will look here like I’m trying to condense a lot of stuff — my “week at the movies” posts, my “DVD alts” posts — into one package, and that isn’t quite the case. Or maybe it is. Bear with me as I try to figure out what the hell I’m doing and what the … more…
I’ve been seesawing with myself on Street Kings since… well, since I was sitting in the screening room watching it. It’s not an easy movie to recommend — I can’t honestly be totally gung-ho on it — but it’s not an easy movie to dismiss, either.