This *Amelia* is a quiet, reflective film, and Earhart is not an icon or a symbol: she’s a human being, and the fantasy comes in how the film depicts her life and her achievements and everything about her not as something a *woman* did but something a *person* did.
please help keep truly independent film criticism alive!
Pledge your support now at Patreon or Substack.
FREE weekly digest and daily streaming recommendations via Substack.
Or make a one-time donation via Paypal.