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Love and Other Drugs (review)

Maybe the romantic comedy about a couple of sociopaths is where the Hollywood expression of the genre has been heading all along, since such films of recent vintage have been populated by unpleasant people doing unpleasant things in the hopes that we will be somehow charmed by them. Perhaps it was only a matter of time before pathological charm was deployed.

Grown Ups (review)

Is it too overblown to suggest that what passes for the modern American mainstream comedy has finally descended into the downright sociopathic?