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Sherlock blogging: “The Reichenbach Fall”

Sherlock Andrew Scott Benedict Cumberbatch

(all spoilers! don’t read till you’ve seen the episode… or unless you don’t care if it’s spoiled for you. previous: “The Hounds of Baskerville”)
There are a lot of ways in which this was 90 brilliant minutes of television drama, but the first way in which it’s brilliant is the opening moments. John, in his therapist’s office, his voice catching as he tries to articulate a horror that he cannot bring himself to speak of: Sherlock Holmes, his best friend, is dead.

Martin Freeman in this scene… So lovely, so poignant, so come here honey and let me give you a hug. I was already halfway in love with Freeman, but that’s when I fell all the way. Something about Sherlock has brought out new levels of awesome in this very fine actor.

Sherlock Martin Freeman

But the really brilliant thing about opening with the news that Sherlock is dead, and then flashing back to how it happened, is that it puts nonreaders of Arthur Conan Doyle’s fiction on a par with the devotees. Anyone who know the Holmes stories surely salivated when the title of this episode was announced. Because we know what happened at Reichenbach Falls: Holmes battled with his nemesis Moriarty, and they both fell to their deaths. Except then Holmes turned up years and explained to Watson how he had faked his demise. (Conan Doyle may have been the first writer of pulp fiction to discover that no one ever dies… at least not permanently enough that a popular character can’t be revived if audiences demand it.) We Holmes fans of longstanding would already have been anticipating throughout the episode a battle to the death and then a miraculously still-alive Sherlock… and now so would those who don’t know a thing about the great detective prior to Benedict Cumberbatch taking on the role.

(Or maybe not quite on a par, at least for some newbies. Because there were a few shocked cries of “spoilers!” in response to a Guardian headline the next day: “Sherlock: How did he fake his own death?” You’d think by this point that anyone would know that there was no way in hell that the central character in a TV show this popular would actually be killed off, and that if it looked as if Sherlock had died, he surely must have faked his own death. Elementary, no?)

But the whole thing is such a marvelously structured mindfuck! The big crime, Moriarty’s simultaneous break-ins at the Tower of London, the Bank of English, and Pentonville Prison? They never happened. At least not like we — and Sherlock! — were meant to believe.

I can open any door, anywhere, with a few tiny lines of computer code…. In a world of locked rooms, the man with a key is king.

That’s so amazing that it can’t be true… and it isn’t! It’s all a ruse. It fooled Sherlock, and it certainly fooled us — it’s not just Sherlock who wants everything to be clever. We expect that now, too, not just from this show but from everything. We expect everything to be as clever as it can possibly be. We’re fooled by the quality of our own expectations.

That there ended up being a weird sort of anti-tension in Moriarty’s revelation that his scheme was a trick played off the surprisingly suspenseful trial sequence. Moriarty is on trial, he treats it as a joke, he offers no defense: it’s totally obvious that he must be found guilty… and yet there I was in suspense over what the verdict would be, perhaps because I was trying to figure out what sort of evilly clever plan of Moriarty’s would require him going to prison. But it was all another distraction! He’s found not guilty!

It’s all weirdly hilarious, and disturbing that it’s so hilarious.

But other moments were simply downright riveting. Sherlock and Moriarty talking over tea after the not-guilty verdict, both so still and calm, the menace hanging in the air between them. Beautifully, eerily done.

When Moriarty’s ultimate plan is revealed,

Sherlock Andrew Scott

he’s so convincing as Rich Brook, the actor Sherlock Holmes hired to be his archnemesis, that I can almost believe it. It’s a fiendish scheme. It is the fairy tale of our time: “Everybody wants to believe it, that’s what makes it so clever: a lie that’s preferrable to the truth,” as Sherlock says, stunned. That’s the appeal of conspiracy theories. That’s the appeal of global-warming denialism and creationism. So of course this will work. And Sherlock knows it.

Then there’s the scene on the rooftop. This is what we’ll be talking about till Steven Moffat and Mark Gatiss resolve it for us. How did Sherlock fake his own death? Dammit, how?

Key things:

It is clearly Sherlock jumping from the roof… or, at least, someone alive who looks very much like Sherlock:

Sherlock

Sherlock

The jumper is pinwheeling as he falls, so he — whoever he is — is still alive. So it can’t be, for instance, Moriarty’s corpse dressed up in Sherlock’s coat; which also ties in with the fact that Sherlock cannot have planned for Moriarty to commit suicide (if he is dead!), and the fact that Sherlock looks absolutely horrified and astonished when Moriarty puts the gun in his own mouth.

But Sherlock did anticipate that he himself would have to die. So he certainly can have planned for that.

I do think it must be Sherlock himself — and not any sort of double — at the roof edge the whole time. Because John never takes his eyes off him

Sherlock

from the moment he arrives on the street below until the moment Sherlock jumps, so there’s no chance for a switcheroo.

The only time John does lose sight of Sherlock is after he jumps: John cannot, from his vantage point, see Sherlock hit the ground. And it must be noted that Sherlock tells John to stay in a very precise position — “Stay exactly where you are. Don’t move. Keep your eyes fixed on me.” — presumably so he could not see the sidewalk below, and also so that the biker could knock him down and slow John down from getting to the scene.

Sherlock

We may presume that the biker is from Sherlock’s homeless network.

So what happened after Sherlock jumped? Well, it’s a bus stop down below the jump point. Early on, when Sherlock first steps up to the edge of the roof, there are two buses below:

Sherlock

What is there when Sherlock jumps — we see after the body has landed on the sidewalk — is a recycling truck:

Sherlock

The back of this truck is like a big cage — you see these vehicles all over London — filled with plastic bags full of recyclables. Here’s the truck pulling away as people start to run up to the body on the sidewalk:

Sherlock

Sherlock could have jumped to land in the recycling truck (which he prearranged to be there) while, at the same time, an already dead body was thrown from the truck onto the sidewalk (prearranged with the help of Molly, whom Sherlock approached for assistance, and whom we know would do anything for him).

Problems:

Sherlock

Dammit, that sure does look like Sherlock lying dead in the street. Though we might interpret this as the expectation of John, who is dazed from hitting his own head in the street (when the biker knocked him down) and from his own emotional shock at what he had just witnessed:

Sherlock Martin Freeman

A dead-body switcheroo would not explain, however, all the blood:

Sherlock

I’m pretty sure a heart would have to be still pumping — if on its last beats — to produce that much blood.

And John feels for a pulse on a wrist. He’s a doctor — he’d know the difference between a just-this-instant dead body and one that had been dead for a while.

Clues?

Moriarty got the kidnapped little girl to scream when she saw Sherlock, which suggests the possibility that there’s a double for Sherlock around somewhere. How to find that double and work him into a switcheroo would be a problem, especially since he must have been working for Moriarty.

Mycroft has traditionally been smarter than Sherlock, so he could be involved in some way that we cannot even anticipate yet, even to the point of having wanted Sherlock removed from the world (perhaps only temporarily). Could Mycroft be the mastermind behind the mastermind, having played Moriarty (as by giving him the information on Sherlock that allowed for the Rich Brook scheme) and then helping Sherlock arrange a disappearance?

And there’s this graffiti:

Sherlock

This could be Moriarty telling Sherlock: “I’m gonna kill you, I’m gonna turn you into an angel.” Or could it be someone else who owes Sherlock — Irene Adler? — telling him that she’s coming to his rescue?

Steven Moffat has said that there’s a vital clue in “The Reichenbach Fall” that we’ve all missed. What could it be?

Random thoughts on “The Reichenbach Fall”:

• Here’s a question that’s nagging me: How did Moriarty create Richard Brook if he doesn’t have the key to everything? Did he just do it the way he does everything else, by the intimidation of people in the right places? Or will “Rich Brook” fall apart as soon as anyone looks closely… but by that point, Moriarty perhaps figures, Sherlock will be dead and disgraced and maybe no one will look closely, or even if they do, Sherlock’s own actions will be taken as proof of the “truth” even with evidence to the contrary at hand? Big lie indeed…

• I love freeze-framing and reading the newspapers and other documents in shows like this:

Sherlock Guardian

I love how this article opens:

Sherlock

In a twist worthy of a Conan Doyle novella, Mr Sherlock Holmes was yesterday revealed to be an expert witness at the trial of ‘Jim’ Moriarty.

So, what did Conan Doyle write in this universe that’s as famous as Sherlock Holmes… whom he clearly could not have invented, since Holmes is real?

I don’t get this, though:

Sherlock

This article is blobs of text that repeat. Why? They know how obsessively we watch. Why skimp? It makes no sense. They’re going to the trouble of mocking up newspapers, and they can’t invent three full paragraphs instead of copying and pasting one over and over again?

• On “Richard Brook”’s CV, you can read his email address: richard@r-brook.co.uk. So I shot off an email:

From: maryann@flickfilosopher.com
Subject: is Richard Brook James Moriarty?
Date: January 21, 2012 5:31:33 PM GMT
To: richard@r-brook.co.uk

Inquiring minds want to know.

Here’s what I got in return:

From: richard@r-brook.co.uk
Subject: Out of Office AutoReply Re: is Richard Brook James Moriarty?
Date: January 21, 2012 5:31:51 PM GMT
To: maryann@flickfilosopher.com

Hullo there!

Thanks for getting in touch. Unfortunately, I will be out of town and without access to email for an unknown period of time. For all urgent requests, please contact journalist Kitty Reilly, and she will be able to direct your message. Otherwise, please feel free to reply with more details and I’ll be sure to respond when I return!

Thanks from your favourite storyteller,
Richard Brook

I Googled the domain and found:

Sherlock Google Richard Brook

And this at the domain:

Sherlock Richard Brook

Curiously, the domain is not owned by the BBC (which has done such a great job with Sherlock’s site and John’s blog). It’s owned by Los Angeles web developer Lily Lapidese. I hope she does something fun with the site. But, seriously, BBC: domain names are cheap. Why would you not buy this one yourself and use it to promote the show? You do know that we geeks eat up this viral web stuff, don’t you? Did you figure Sherlock was popular enough and didn’t need more promo?

• Obviously Sherlock is now familiar with fangirls and their desires:

Sherlock Katherine Parkinson

For he knows that Fan Type B is “your bedroom is just a taxi ride away.”

If Sherlock had been nicer to Kitty, would that have forestalled Moriarty? Or would Moriarty have found someone else to take advantage of?

• I want this teapot:

Sherlock teapot

• Great quotes:

“This isn’t a deerstalker now — it’s a Sherlock Holmes hat.” –John

Sherlock deerstalker Benedict Cumberbatch

“James Moriarty isn’t a man at all. He’s a spider.” –Sherlock

“How hard do you find it, having to say ‘I don’t know’?” –Moriarty

“Aren’t ordinary people adorable? Well, you know, you’ve got John. I should get myself a live-in one.” –Moriarty, to Sherlock (and he does get a live-in one, in Kitty!)

“I know you’re for real. Nobody could fake being such an annoying dick all the time.” –John, to Sherlock

“I love newspapers. Fairy tales. And pretty grim ones, too.” –Moriarty

“You’re insane.” –Sherlock
“You’re just getting that now?” –Moriarty

Sherlock

“I was so alone, and I owe you so much… Just one more miracle for me. Don’t. Be. Dead. Would you do that just for me? Just stop it. Stop this.” –John

(next: ???)


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  • Joe American

    Late to the program but none the less enjoyed it immensely.  Like some Americans starving for intelligent and mind expanding programming we just don’t seem to find in the new land that Columbus discovered but Spain didn’t pay him to find, I was told to pick up the DVDs and give it a go.  So now I am at the point where everyone was about a year ago, “The Fall from the Reichenbach”.  Setting aside the code/key and assasin subplots and focusing on just the fall, the fall is rather suspicious in that the camera perspective is from Dr. Watson’s point of view. The good doctor is knocked to the ground by a bicycler during the fall, disoriented to allow enough time to cover Mycroft’s people in breaking his fall and preparing a bloody scene for a disoriented doctor.  Amazing, I have never seen so many medical staff personel immediately after an accident occurs.  As for Molly and Sherlock “needing her” but first checking her allegiance to JM as well as knowing she is not under the watchful eye of JM hands, she would play an invaluable part in the death report.  Mycroft being protective and allowing his classifed pass to be used on a classified military installation would not be neutralized by the a master mind criminal in providing aid to his brother in a covert manner.  Nice twist with having the doctor have an ephinany  to go visit  Mycroft and accuse him of providing JM additional information for the take out piece. As in the original story by Mr. Doyle, Sherlock now needs to tie up loose ends with those other criminal masterminds vying for position now that JM is gone.  Should take about five minutes of the next series’ first episode to reintroduce Sherlock back into the series, a good right hook by the doctor and everything should be right as rain.  But the writers have killed off their greatest criminal nemesis, if both actors careers take off, these seasons will be great reruns for years to come.  If both actors fall back to the tried and true, well there will be a greater following than before and the writers can deviate from the Doyle series with an even better master mind.

  • http://profiles.yahoo.com/u/NDUF6QLHDN7ASRUM2H6SUQCM6E Paul

    “[T]he writers can deviate from the Doyle series with an even better master mind.”

    Madame Vastra?

  • Joe American

    I was thinking on an international scale instead of a intergalactic scale. ;) Provided the writers don’t have the last episode be in Sherlock’s mind where he wakes up, grabs JM and pulls him over the ledge.

  • http://consultingspectator.tumblr.com/ Consulting Spectator

    Sherlock is holding the little ball behind his back on Barts
    rooftop. It is visible on screen. Pause the video, do screen capture if
    necessary. I posit that Sherlock filled the little ball with Baskerville drug
    in the lab using a needle. When Sherlock whirled Moriarty around on the
    rooftop, he squeezed the drug onto Moriarty’s lapels and the drug evaporated into Moriarty’s face. You can see the wet spot on Moriarty’s coat as he walks away from Sherlock.

    Sherlock uses the same techniques of fear and stimulation from Hounds of Baskerville to set Moriarty up for suicide. Sherlock’s voice is amplified when he says, ‘I am one of them.’ When Sherlock and Moriarty are the same, Moriarty kills himself because it kills Sherlock twice over! 1) It kills Sherlock because they are the same and 2) it removes Moriarty as a possible savior: ‘uncontrollable aggressive homicide’ per the drug profile. Brilliantly
    reasoned, brilliantly played, Sherlock.

    Notice Sherlock’s petite cabriole as he jumps off the wall of the roof laughing at Moriarty, a la Fiddler on the Roof. The allegory of conflicting forces and identity from the musical set up very nicely for Sherlock’s predicament. And —Marc Chagall’s The Fiddler painting has just the same roof angles and the church tower in the background at the scene on Barts rooftop. Chagall’s painting is an evocation to his homeland not unlike Sherlock fighting to keep safe the real home and family he finally has.

    Screen capture of Sherlock’s holding the little ball at The Art and Logic of Sherlock’s Reichenbach Fall at sherlockreichenbachfallclue.tumblr.com.

  • gaara119

    When someone does a magic trick, one of the main ways to fool someone is to say “Keep your eyes trained right here. Watch this very carefully,” So they’re watching the place where they think the trick is taking place, when in reality they are missing the real trick because they’re so focused on the distraction.

  • Bobbi

    Moriarty said “I owe you a fall”

  • Bobbi

    Sherlock never laughs does he? He did on the tower. moriarty never questions Sherlock he did on the tower, PS when he fell and they showed his back what was the red thing underneath the telephone box, grateful thx