Garage Days (review)

For a movie about a rock ‘n’ roll band, there’s not much rock ‘n’ roll in this self-consciously goofy flick, and its tricksy stylishness — from Alex Proyas (Dark City), a master of style over substance — is more of a distraction than a tonic for the feeling that we’ve seen all this before. The … more…

Lara Croft Tomb Raider: The Cradle of Life and Spy Kids 3-D: Game Over (review)

It makes a geek sorta wanna cry to see how Hollywood takes something as pure and lovely and necessary as developing repetitive stress injuries and/or losing sleep in order to kill cute cartoonish nasty alien Nazi undead Mongol Education Advisors and turns it into something so deadly dull that playing your little sister’s Barbie Goes Shopping! CD-ROM would be better at getting your adrenaline pumping.

Dirty Pretty Things (review)

You won’t hear this from anyone else, but here’s the secret of the subtly startling *Dirty Pretty Things*: It’s science fiction. Ten years ago it would have been obvious that the lawless world of the film was not our own — today, it’s so close to reality that it’d be easy to believe that calling it ‘fiction’ is a stretch, never mind ‘science fiction.’

How to Deal and I Capture the Castle (review)

It’s kinda like *Two Weddings, A Funeral, A Baby, and Some Hospital Visits* for Mandy Moore fans, only minus Rowan Atkinson (he was busy with *Johnny English*) and plus a lot of tedious adolescent angst. God, were we *all* this annoying in high school? No wonder we drove our parents crazy.

Bad Boys II (review)

Of course it’s Michael Bay-ariffic in that adorably ultraviolent, homophobic kinda way, all vehicles exploding for no apparent reason and deeply repressed male emotions, the kind of stuff that can’t help but lead one to the conclusion that Michael Bay is denying that he has some serious issues with, really, just about everything he comes into contact with: women, men, cars, swimming pools, family pets, home electronics.

Johnny English (review)

Rowan Atkinson (Scooby-Doo) has successfully straddled the full spectrum of funny, from the sharp intellectual wordplay of Blackadder to the pathos-imbued silent comedy of Mr. Bean. Here, alas, he lands somewhere squarely in the uninspired middle with a character who is by turns bumbling and sophisticated, idiotic and brainy, dorky and irresistible to women, contradictions … more…

The League of Extraordinary Gentlemen (review)

This was shoved under the front door of Flick Filosopher World Headquarters, the 4-page document encased in a manila envelope upon which the red stamped ‘Top Secret Eyes Only LXG’ had been crossed out in purple marker, and hand-printed neatly under it, in blue Flair pen, ‘birthday card for JB — please sign and return to FM ASAP’ had also been crossed out in the same purple marker, and under *that* in a hasty scrawl in what could have been the same hand as the blue Flair was written ‘The truth is in here. Spread the word. — FM.’ So I’m spreading the word, though I obviously cannot vouch for the authenticity of anything you’re about to read.

28 Days Later (review)

There was this great TV commercial for British Airways a few years back, in which a guy wakes up in the morning, and the bed is empty beside him, and the streets of London are empty, and offices and shops are deserted, and he runs around the abandoned city looking for someone, anyone, and finally he yells, ‘Where is everybody?!,’ his desperate voice echoing through the uninhabited streets. The idea was that hey, airfares are so cheap, *everyone* took off for somewhere else.

Mystery Science Theater 3000: Volume 2 (review)

Snarksters have been heckling bad movies forever, but it took Joel Hodgson, Generation X’s own Ernie Kovacs, to bring it to TV. The MST3K gang sniped its way through a bounty of awful movies — and were so consistently brilliant over the series’ eleven years — that the phrase “Mystery Science Theater” has passed into … more…