I’ll Sleep When I’m Dead (review)

Legendary British director Mike Hodges (Croupier) and screenwriter Trevor Preston strip the mobster film down to its bare essentials, and the result is stark and relentless. It won’t be everyone’s cup of tea, but daring filmgoers will find a shattering exploration of the psychological assault of crime on the criminal. Clive Owen (Beyond Borders) finds … more…

The Door in the Floor (review)

“A sound like someone trying not to make a sound.” Four-year-old Ruth (Elle Fanning: Daddy Day Care) isn’t describing the shushed fury consuming the adults around her, but she might well be. Her parents’ marriage is collapsing, quietly and at long last, the strain of life-altering tragedy finally catching up to them, but they barely … more…

Daughters of Afghanistan (review)

Since the fall of the Taliban, Islamic fundamentalism has “reasserted itself in a sinister way,” according to Canadian journalist Sally Armstrong, and in this powerful, angry film she documents precisely how little has changed for women in that ravaged country. Through the eyes of four Afghani women — including Dr. Sima Simar, who was, for … more…

Conan O’Brien 10th Anniversary Special (review)

Conan’s nightly show may be hit or miss, but this compilation of his best-of, on the occasion of his first ten years on the air, is a riotous testament to his ongoing, quirky appeal. Practically a sendup of the talk show, Late Night with… here proves to be less “a decade of shameless ass-kissing,” as … more…

Wicker Park (review)

Who decided Josh Hartnett could act? Where do they come from, these bland, boring, untalented pretty boys? Is there a factory somewhere in South America that extrudes them in flesh-colored silicone? How can we stop this?

Criminal and Nicotina (review)

Now, I’m the first film fan to profess a disdain for foreign films revisited by American filmmakers — there’s usually little point in doing so rather than giving those foreign films a wider domestic release, beyond the sad fact that most mainstream American moviegoers simply don’t want to read subtitles. But damn if *Criminal* doesn’t actually improve upon *The Nine Queens,* the Argentine film upon which it is very closely based.

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These reviews have moved — sorry for the inconvenience. Conan O’Brien 10th Anniversary Special Daughters of Afghanistan The Door in the Floor I’ll Sleep When I’m Dead Laverne & Shirley: The Complete First Season Millennium: The Complete First Season Ned Kelly Stander SuperBabies: Baby Geniuses 2 Two Brothers Vanity Fair Wimbledon Young Adam