
London photo: Dolby globes
The lobby of the Dolby screening room always makes me think of Men in Black…

The lobby of the Dolby screening room always makes me think of Men in Black…

A woman in a man’s job and enjoying the luxury of not having to settle romantically is a great role model not only for Victorian England but today too. [This post is not behind the paywall.]

More than one girl in an ensemble plus a female villain are good things. But the most prominent of the girls is treated in a retrograde, gendered way. [This post is not behind the paywall.]

There’s little less compelling than a vague evil spirit with loosely defined powers doing random “scary” things as required by the script.

Ridiculously romantic in all the best ways, and more modern, more progressive, and even just plain more grownup that half the movies thrown at us today.

At the Tate Britain, in Pimlico.

Julianne Moore’s terror at watching her own emotional and intellectual life slip away is palpable, and much scarier to me than any slasher movie.
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Child-augmented road sign.

So this episode was all about how, if you don’t allow women to have power in their own right, you force them to grab it indirectly.