
Where Are the Women? Mistress America
Two major female characters, both flawed and complicated people, on a journey of self-discovery that has nothing to do with romance or having babies.

Two major female characters, both flawed and complicated people, on a journey of self-discovery that has nothing to do with romance or having babies.

Wants to tell a story about how young women are people… which it does by removing the main female character from the narrative for half of the film.

Want to debunk the myth and the mystery of the manic pixie dream girl? There’s a wrong way to do that… and an oh-so marvelously right way.

Of course it’s fun in the “oh my god that’s Benedict Cumberbatch!” sense, but it’s a bit Hamlet for Dummies, or Hamlet’s Greatest Hits.

One last look at the U.K.’s “Sistine Chapel.”

A female villain who isn’t defined by her sexuality helps balance out the underused female sidekick to the good guys (who are, of course, guys).

Guy Ritchie’s spy-themed GQ fashion shoot. Pure popcorn nonsense, sleek and chic and vaguely funny, but instantly forgettable.

Yet another view of the U.K.’s “Sistine Chapel.”

A Scorsese-esque look, fascinating and horrifying, at the 1990s NYPD scandal that saw cops become the biggest, baddest gang on the city streets.

There are lots of girls and women in this movie, which is good. Most of the women, however, are caretakers of children or mothers, which isn’t great.