
listen to my panel discussion at Underwire Festival
[This post is not behind the paywall.]

[This post is not behind the paywall.]

Bike parking.

The traditional Hollywood disaster flick goes to Norway, and is grim and gripping around all the time-honored ridiculous clichés crammed into it.

Strictly for serious Doctor Who fans who won’t mind the ultra-low-budget ethos, and who’ll love the fan-fiction-y tidbits that are catnip to Whovians.

This is kickass representation: lots of women in gender-neutral roles wielding power, including the female protagonist, herself a figure of authority.

One of the smartest and most enthralling SF film series ever breaks more new ground as it ends on notes as emotional and provocative as they are explosive.

Doctor Who does found-footage… and it actually works in a way that most found-footage stories don’t even bother with anymore.

For a film with a female coprotagonist and lots of women in authoritative supporting roles, it does a lousy job of representing women.

It’s all rather implausible and hugely melodramatic as it milks ham-fisted histrionics from high soap opera. A pitiable excuse for a movie.

There’s only one woman in this movie, and she’s primarily a mother, but at least she gets to do something and act with some agency.