
Doctor Who blogging: “Sleep No More”
Doctor Who does found-footage… and it actually works in a way that most found-footage stories don’t even bother with anymore.

Doctor Who does found-footage… and it actually works in a way that most found-footage stories don’t even bother with anymore.

For a film with a female coprotagonist and lots of women in authoritative supporting roles, it does a lousy job of representing women.

It’s all rather implausible and hugely melodramatic as it milks ham-fisted histrionics from high soap opera. A pitiable excuse for a movie.

There’s only one woman in this movie, and she’s primarily a mother, but at least she gets to do something and act with some agency.

Nothing but atmosphere, albeit atmosphere that is more effective and elegant than the typical horror flick. But there’s almost no actual story here.
Should have some new reviews for you tomorrow.

This is an excellent example of how stories about women can become expressions of universal experience (like, the kind that men have too).

Beautifully portrays a very universal experience — not only of immigration but of growing up — via an elegantly nuanced performance by Saoirse Ronan.

I feel like we have finally met Peter Capaldi’s Doctor for the first time. At last.

This weekend is Remembrance Sunday in the U.K., basically the equivalent of Veterans Day in the U.S.