
Run movie review: all the unrest of Ivory Coast, all in one man (FilmAfrica festival)
Prophecy and politics are intertwined in a realm where strange and beautiful imagery takes on dark meaning, and violence and male posturing rules all.

Prophecy and politics are intertwined in a realm where strange and beautiful imagery takes on dark meaning, and violence and male posturing rules all.

This was on my seat at a press screening recently…

The iconic Warner Bros. water tower (as seen on the studio lot in Los Angeles), done up in Lego…

Just when I’ve lost almost all hope for my show, we get an episode like this one: incredibly good science fiction storytelling, incredibly good Doctor Who.

The best of the bunch in this anthology of vaguely interconnected shorts are the outrageous and uproarious genre pastiches “Friday the 31st” and “Bad Seed.”

The view from the bar and restaurant at the lovely new Picturehouse Central.

No one gets anything approaching a personal journey here, but at least the one who comes closest is a woman in a role that isn’t particularly gendered.

The demonic-possession subgenre isn’t exactly one crammed with quality cinematic experiences, but it hits a dull, unscary new low with this inept flick.

I am amused by the notion of an establishment so modest that it wouldn’t dare to claim to be the No. 1 or even the No. 2 such endeavor.

A fantastic example of how shifting to women’s perspectives can lend an exciting freshness to tired genres.