
My Generation documentary review: when London was swinging
A brilliantly thrilling look back at the flowering of creativity and freethinking spirit of 1960s London, through the thoroughly charming perspective of Michael Caine.

A brilliantly thrilling look back at the flowering of creativity and freethinking spirit of 1960s London, through the thoroughly charming perspective of Michael Caine.

…maybe one directed by a woman who understands why we love this scoundrel.
I haven’t read these since I was a kid, but back in the day, they did fulfill my tween hankering for more Han Solo.

Elle Fanning invents science fiction; Natalie Dormer overhears a murder; more…

Sheila Hancock climbs a mountain; Saara Chaudry becomes a boy; more…

Beautiful and startling, bursting with both brutality and hope, this animated adventure is too intense for young children, but the brains and bravery of its young heroine will inspire older kids and adults alike.

This is no twee old-lady adventure. The magnificent Sheila Hancock crafts a portrait of elder womanhood as a tangy triumph of risk-taking over regret, and resolution over resignation.

A Star Wars–flavored juice drink* of a movie (*contains 10% real juice) that tells us nothing of significance we didn’t already know about Han Solo, in an incarnation that lacks his essential charisma and precarious danger.

A quiet horror movie about grief and regret as spiritual possession, about rationalization and denial as immorality. We don’t tell ourselves stories that whisper, as this one does, The Nazis had help. We need to.

This stilted, utterly implausible film manages the astonishing feat of being both histrionic and monotonous at the same time, trolling us with absurd clichés, yet doing so with a quiet solemnity.