curated: Mark Rylance quits Royal Shakespeare Company over BP sponsorship
Ouch. The arts are so underfunded that they rely on corporate sponsorship… but that sponsorship can be a way for a big corp to wash its karma.
Ouch. The arts are so underfunded that they rely on corporate sponsorship… but that sponsorship can be a way for a big corp to wash its karma.

Nicole Taylor writes musical drama Wild Rose, starring Jessie Buckley; more… [This post is for Patreon patrons only for the first month.]

This German zombie flick offers horror with a spin of feminine steel, not soft but brutally maternal, as necessary as natural selection and as nurturing as civilizational, even planetary tough love.

Lisa Brühlmann directs and cowrites fantasy drama Blue My Mind, starring Luna Wedler; more… [This post is for Patreon patrons only for the first month.]
He really did love doing these crèche visits, talking to the little kids about what it meant to have been the first human to have set foot on this planet… at that time only the fourteenth world that ‘homo sapien stellas’ could walk upon in the open air without any protective gear.
One might wonder why God has seen fit that his most devout followers are often not blessed with an abundance of brains.

Superman, but he’s evil. That’s the whole movie. This is a depiction of violent entitled sociopathy that may think it’s critiquing toxic masculinity yet is indistinguishable from a celebration of it.

The series’ saving grace is that, with humor and heart so beautifully wise and stunningly rendered (CGI pun intended), even as returns diminish, a new chapter is still warm and smartly entertaining.

A round-the-world culinary adventure that’s like Secret Cinema, except about food rather than movies, with a Jules Verne vibe and a nostalgia for a time when the world was bigger than it is now.

Tonia Mishiali writes (with Anna Fotiadou) and directs Greek drama Pause, starring Stella Fyrogeni; more… [This post is for Patreon patrons only for the first month.]